“The Rhythm Section” is a really strange title for a globetrotting spy thriller – it honestly sounds more like a sequel to “Whiplash” than a middling, convoluted secret agent pot-boiler – though most ...
With Paramount shelling out $31M for most of the world on this $50M production (before P&A), sources tell me this morning that the Melrose lot is apt to lose between $30M-$40M. Currently, I hear that ...
It may be damning with faint praise to say that “The Rhythm Section” is better than those high-concept Luc Besson films about female assassins (“La Femme Nikita,” “Lucy,” “Anna,” even “The ...
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